Cinematic psychological short film. Continuous single take, strict top-down overhead camera locked directly above a young woman matching the reference image. 24mm lens, realistic digital texture, soft haze, muted tungsten lighting mixed with green city light. A small cramped studio apartment with a thin mattress, rumpled sheets, scattered clothes, a narrow hallway, tiny wash area with a cracked mirror, and a cluttered kitchenette. The woman wears an oversized faded t-shirt, soft lounge shorts, and is barefoot. Slightly messy hair, faint smudged kajal under her eyes, tired expression, moving slowly like she is repeating a daily routine on autopilot. Scene: She lies awake on the mattress staring blankly. She sits up, grabs a crumpled cigarette pack beside her pillow, takes out one cigarette, finds a lighter under the sheet, lights it, inhales, and drops the lighter. She stands and slowly walks through the apartment while the camera perfectly tracks overhead without drifting. She enters the wash area, turns on the tap, wets her fingers, lazily splashes water on her face, and leaves water dripping. She walks into the kitchenette, moves a plate aside, picks up a steel tumbler, then pauses completely still. She takes another drag from the cigarette. After a few seconds, she slowly lifts her head and looks directly into the camera. She exhales smoke upward toward the lens and never breaks eye contact. Audio: soft lighter click, distant traffic, electrical hum, running water, soft footsteps, subtle ambient tension.