Seedance 2.0 prompts

15 seconds, 16:9 cinematic, single continuous handheld close up shot, slow subtle push-in, no cuts. Global setup: Intimate emotional drama scene, soft natural lighting from a nearby window, slightly desaturated color grade, shallow depth of field with soft background blur. Setting: a quiet living room at dusk, muted blue grey light mixing with a single warm lamp. Subject: a woman in her late 20s, simple clothing, seated on the edge of a couch, holding something small in her hands (an old photograph). Ambient sound: quiet room tone, her breathing, soft distant rain against a window, faint melancholic piano underneath. [0:00–0:03] She sits still, looking down at the photograph in her hands, eyes glistening, jaw tightening as she tries to hold composure. Slow push-in on her face. [0:03–0:06] Her breath catches, a single tear falls, voice trembling, she says quietly, "I just... I wasn't ready to say goodbye." She wipes her cheek quickly, almost embarrassed by the tear. [0:06–0:09] She looks up briefly, eyes red, voice breaking further, "Everyone keeps saying it gets easier. It doesn't feel like that yet." A shaky exhale, she presses her lips together. [0:09–0:12] She looks back down at the photo, thumb gently tracing its edge, whispers, "I just miss you. That's all." Her shoulders drop slightly, a quiet release of tension rather than a breakdown. [0:12–0:15] She closes her eyes, takes a slow breath, holds the photograph to her chest, a faint sad smile forming despite the tears. Soft fade to black. Style: naturalistic acting, realistic tears and skin tone, restrained emotional performance (not exaggerated), cinematic but grounded, no over stylized filters. Constraints: consistent character appearance and lighting throughout, natural lip sync to dialogue, no distorted facial features, no text overlays, subtle and believable emotional pacing throughout

Blue Hour Chemistry Jessica: Face locked from uploaded reference image. Sleek straight black hair, elegant black satin mini slip dress with tasteful thigh-high slit, black strappy heels, gold jewelry, deep red lips. Marco: Handsome Western man with deep blue eyes, dark swept-back hair, light stubble, athletic build, fitted navy shirt, tailored trousers. CUT 1 (0:00–0:04) · Luxury Penthouse Low-angle tracking shot follows Jessica walking confidently across the penthouse. The camera tilts up as she reaches the floor-to-ceiling windows overlooking the glowing skyline. She slowly turns over her shoulder. Marco enters and instantly stops, captivated. Slow Motion (40%) Close-up of Jessica's face as she locks eyes with Marco, gives a subtle smile, gently bites her lower lip for a brief moment, then turns and walks away with quiet confidence. CUT 2 (0:04–0:08) · Penthouse Lounge Jessica walks toward the suite corridor. Marco follows beside her. They exchange lingering eye contact. Their shoulders lightly brush. Their hands naturally meet before their fingers slowly intertwine. The camera smoothly circles around them. CUT 3 (0:08–0:12) · Outside the Suite Marco gently tucks a strand of Jessica's hair behind her ear. She steps closer. They hold eye contact. Slow Motion (40%) Marco leans in until only inches separate them. Jessica smiles softly. Marco (whispering): "Come with me." Jessica smiles, takes his hand, and nods. CUT 4 (0:12–0:15) · Luxury Bedroom Marco opens the suite door and gently lifts Jessica into his arms. She smiles, wrapping one arm around his shoulder. He carries her into the softly lit bedroom and carefully places her on the edge of the bed. They share one final lingering smile as the camera slowly pushes in. Fade to black. Style Luxury fragrance commercial • Romantic cinematic storytelling • Slow push-ins • Steadicam • Slow motion during emotional moments • Blue-hour lighting • Warm amber interiors • Dark R&B with soft piano and strings • Face locked to Jessica's uploaded reference image throughout.

Create an ultra-realistic cinematic UGC selfie video in one continuous handheld smartphone shot with seamless AI transformations. A beautiful young woman is filming herself inside a luxurious modern hotel suite during the daytime, standing beside floor-to-ceiling windows overlooking the city. The camera has authentic handheld movement with slight arm sway, natural autofocus breathing, realistic exposure adjustment, lifelike skin texture with visible pores, detailed hair strands, physically accurate lighting, premium commercial quality, and no cuts. She smiles naturally at the camera and says, "Watch this..." She snaps her fingers. Instantly, her elegant loose updo transforms into long, silky dark hair flowing naturally over her shoulders. She smiles, gently runs her fingers through her hair, admiring the transformation while maintaining eye contact with the camera. She snaps again. Her casual pastel outfit seamlessly transforms into a luxurious designer evening gown adorned with elegant gold jewelry. The fabric moves naturally with realistic folds and subtle shimmer as she spins slightly to show the new look. She laughs softly and snaps once more. Without interrupting the selfie recording, the entire hotel suite instantly transforms into the lively plaza beneath the Eiffel Tower on a bright sunny afternoon. Tourists casually walk in the background while natural sunlight beautifully illuminates her face. She turns the phone slightly to reveal the iconic landmark behind her before smiling back at the camera. She gives one final snap. The environment instantly transforms into a luxurious rooftop overlooking the glittering Dubai skyline at night. Warm ambient lights, candles, and the illuminated skyscrapers create a breathtaking atmosphere. A gentle breeze moves her hair and dress naturally. She slowly turns to showcase the skyline, then faces the camera with a confident smile. She finishes by saying, "Where should I snap to next?" gives a playful wink, and the recording ends naturally. Ultra-realistic human appearance, cinematic UGC selfie style, continuous one-shot, seamless AI transformations, realistic skin texture, natural facial expressions, detailed hair simulation, premium fashion rendering, authentic handheld smartphone movement, physically accurate lighting, smooth transition effects, luxury travel aesthetic, high-end commercial quality, 16:9 widescreen, no subtitles, no logos, no watermarks.

Video edit, ultra-realistic. Handheld camera slowly zooming in on the tall L-shaped street light pole on a rainy Mumbai evening. From the top arm of the pole, a realistic humanoid creature (Image attached) is hanging upside down like a bat — muscular bat-like body with leathery wings folded, human-like face, wet fur and skin texture, claws gripping the pole. The camera pushes in closer. At the very end, the humanoid bat’s eyes suddenly snap open, glowing faintly, and it stares directly at the camera with an intense look. Moody blue-orange street light glow, rain falling, atmospheric and creepy.

15-second ultra-cinematic sci-fi fantasy transformation sequence inside a colossal abandoned celestial cathedral floating in deep space. A lone human stands beneath enormous mechanical arches surrounded by ancient celestial machinery. Gigantic rotating rings, broken stained-glass windows, and forgotten angelic statues drift silently in zero gravity while distant stars illuminate the cathedral. The atmosphere is sacred, mysterious, and awe-inspiring. The camera slowly circles around the human as dormant celestial machines begin awakening. Soft white light pulses through the cathedral. Massive mechanical gears rotate for the first time in centuries. Tiny streams of liquid silver nanometal emerge from the cathedral floor and flow toward the human. The transformation begins. The liquid metal climbs across the body like living mercury, weaving seamlessly beneath the skin. Luminous white circuits spread through the arms, chest, and face like sacred veins. The camera pushes closer as elegant biomechanical structures form naturally around the skeleton. Carbon-fiber muscles, titanium tendons, and glowing energy cores replace organic anatomy while preserving graceful human proportions. The transformation accelerates. Intricate mechanical feathers emerge from the shoulder blades one by one. Thousands of articulated white-metal feathers unfold with perfect precision, each feather glowing softly with celestial energy. Golden halos composed of rotating mechanical rings materialize behind the head. Floating fragments of ancient technology orbit around the transforming figure. The cathedral responds. Gigantic celestial engines ignite. Beams of divine light pierce through shattered stained glass while floating debris begins orbiting the awakened being. At the climax, the human becomes a magnificent Biomechanical Angel , a perfect fusion of organic life, sacred technology, and divine engineering. Brilliant white wings span across the cathedral while luminous blue-white energy flows through every mechanical feather. Final cinematic moment: the Biomechanical Angel slowly opens both wings. Countless mechanical feathers release into space as radiant particles. The cathedral comes fully alive while the angel ascends through a colossal opening toward the stars, leaving glowing trails of celestial light behind. Style: ultra-cinematic sci-fi fantasy, biomechanical realism, celestial technology, photoreal nanometal transformation, articulated mechanical wings, divine architecture, volumetric god rays, white and gold aesthetic, premium cinematic VFX, AAA film quality, no text, no overlays. Audio: epic celestial orchestral score, angelic choir, deep mechanical resonance, servo movements, metallic feather articulation, divine energy hums, cathedral ambience, cosmic atmosphere, transcendent cinematic crescendo.

SCENE – Seedance 2.0 | 15s Sunday Market Memories Late-2000s flip camera aesthetic. Raw handheld realism. .00:00–00:02 Selfie shot entering a lively local market. .00:02–00:04 Picking up handmade bracelets from a small stall. .00:04–00:06 Buying iced tea and chatting casually with the vendor. .00:06–00:08 Walking past colorful umbrellas and fruit stands. .00:08–00:10 Sitting near a fountain writing in a notebook. .00:10–00:12 Watching children play nearby. .00:12–00:15 Smiling tord the camera, giving a tiny wave, abrupt ending.

In 2026, create a 15-second cinematic travel video featuring characters who travel to 30 world-famous locations. The frame rate is synchronized with the rhythm every 0.5 seconds. Portable camera on a selfie stick, wide-angle lens, clear selfie framing, energetic travel video blogger style, bright cinematic colors, realistic lighting, dynamic motion blur, natural crowd and clear landmarks in each shot. a cheerful face changes, gender changes, hairstyle changes, wristwatch changes, or clothing changes. Venues: Eiffel Tower in Paris, Shibuya in Tokyo, Times Square in New York, Colosseum in Rome, Pyramids in Egypt, Cathedral of Christ the Savior in Rio de Janeiro, Big Ben in London, Sydney Opera House, Grand Palace in Bangkok, Taj Mahal in India, The Great Wall of China in China, Burj Khalifa in Dubai, St.Sophia Cathedral in Istanbul, Grand Canal in Venice, Machu Picchu in Peru, Acropolis of Athens, Sagrada Familia Cathedral in Barcelona, Amsterdam Windmills, Gyeongbokgung Strict identity in all scenes: the same face, the same age, the same hairstyle, the same body proportions, the same palace in Seoul, Marina Bay Sands in Singapore, Santorini in Greece, Petra in Jordan, Neuschwanstein Castle in Germany, the Golden Gate Bridge in San FranciscoSan Francisco, Niagara Falls in Canada, Mount Fuji in Japan, Angkor Wat in Cambodia, the Swiss Alps in Switzerland, Turkish Cappadocia and the Maldives.Each place features a unique stylish outfit that matches the local atmosphere, and funny expressive poses such as waving arms, peace signs, namaste, finger hearts, laughter, pointing out landmarks, thumbs up, surprised reactions, dancing or playful gestures while sightseeing.

A Japanese full-color anime with no captions, no background music, rapid-fire editing, a high frame count, and 24 FPS. Use 「アット」imageA as the start frame and master layout reference. Use 「アット」imageA only for the opening composition, the four-panel vertical split layout, and the final poster-like arrangement. Use 「アット」imageB as the first panel content reference. Use 「アット」imageC as the second panel content reference. Use 「アット」imageD as the third panel content reference. Use 「アット」imageE as the fourth panel content reference. Preserve the original face structure, eye shape, hair silhouette, line quality, manga texture, collage texture, and graphic sliced-panel feeling of each image. Goal: Create a 10-second 480p anime-style motion graphic video in 16:9. The video begins from 「アット」imageA as the opening frame. The screen layout is a four-column vertical panel composition. After starting from 「アット」imageA, the panels are reintroduced one by one from left to right with a crisp shutter-card insertion effect. The panel content order must be strictly: left panel = 「アット」imageB with orange color grading second panel = 「アット」imageC with yellow color grading third panel = 「アット」imageD with blue color grading right panel = 「アット」imageE with green color grading 0-0.8s: Start directly from 「アット」imageA full screen. The first frame should clearly resemble 「アット」imageA. Show the four tall vertical panel layout already arranged in 16:9. Add a subtle push-in, faint glow, light grain, and slight scanline texture. No text, no subtitles, no logos. 0.8-1.3s: A sharp shutter blink passes across the frame. The panel contents reset into dark or neutral placeholder slots while the four-column layout remains visible. Keep the overall split-screen structure from 「アット」imageA intact. 1.3-3.0s: The far-left panel activates first. 「アット」imageB slides in from the left edge and locks into the far-left column. Apply strong orange color grading. The motion should feel like a graphic card being inserted into place, not a fade. Use a subtle push-in toward the eyes. 3.0-4.7s: The second panel activates. 「アット」imageC slides in from the left and locks into the second column. Apply vivid yellow color grading. Keep the fragmented face-panel feeling. Add a slight layered parallax effect and a tiny downward drift. 4.7-6.5s: The third panel activates. 「アット」imageD slides in from the left and locks into the third column. Apply deep blue color grading. Preserve the monochrome manga texture and paper grain. Use a slow dolly-in and keep the abstract collage feeling. 6.5-8.2s: The fourth panel activates. 「アット」imageE slides in from the left and locks into the far-right column. Apply rich green color grading. Preserve the pose, peace sign, bob haircut, soft expression, rough ink texture, and geometric collage background. Add a subtle clockwise tilt and slight forward drift. 8.2-10s: Hold the completed four-panel vertical split-screen composition. The final frame should feel very close to 「アット」imageA in layout and impact, but using the strict panel content order: 「アット」imageB orange, 「アット」imageC yellow, 「アット」imageD blue, 「アット」imageE green. Add two or three crisp shutter snap accents, then freeze on a clean poster-like final frame. Keep: Keep the final output in 16:9, 10 seconds, 480p. Keep 「アット」imageA as the opening composition reference and final layout reference. Keep the panel order strictly left to right: 「アット」imageB, 「アット」imageC, 「アット」imageD, 「アット」imageE. Keep the color order strictly left to right: orange, yellow, blue, green. Keep the sliced graphic style, sharp shutter motion, and bold poster-like composition. Keep all faces recognizable and do not redesign the characters. Negative instructions: Do not morph the characters into different people. Do not add new characters. Do not add readable text, subtitles, captions, logos, or signs. Do not stretch the source images unnaturally when adapting them to 16:9. Do not make the sequence a calm slideshow or soft dissolve montage. Do not remove the hard-edged shutter-panel style.

Authentic 1980s Japanese television game show broadcast footage, realistic recreation of original Takeshi's Castle ENG camera footage, natural handheld camera with subtle shake and tracking, broadcast video noise, analog grain, limited dynamic range and color saturation of the era, slight color bleeding on highlights, chaotic energetic atmosphere of the original show. No reference images provided. Generate the entire scene from the text description. 0-3s: [Wide handheld tracking shot from the side] A determined young Japanese male contestant in his mid-20s, short black hair, wearing a bright orange tracksuit with white stripes, white sneakers and a white headband, sprints confidently from the wooden starting platform onto the first of several large spinning cylindrical logs floating over a murky pond. He runs with pumping arms and focused expression as the log begins to rotate slowly beneath his feet, causing his body to wobble slightly. Water ripples and splashes lightly around the base of the logs. 3-6s: [Dynamic medium tracking shot moving alongside] He leaps to the second spinning log at a slightly higher level, landing with bent knees to absorb the impact. The faster-rotating drum spins his feet out from under him; he flails his arms dramatically to regain balance, torso leaning left then right, face shifting from concentration to surprise. The log's wet surface glistens as he struggles to stay upright. 6-9s: [Closer side profile action shot with motion blur] Pushing forward to the third log, his right foot slips on the spinning wet wood. He lurches forward violently, arms windmilling, body twisting as he tries to recover by crouching low. His left leg dips into the water creating a splash, but he pulls it out and continues with desperate momentum, the rotating cylinder throwing off his rhythm. 9-12s: [Dynamic tracking shot from a three-quarter angle] He attempts a running jump to the next log but the combined spin and his forward speed causes him to lose all balance. His body tilts backward sharply, legs kicking in the air, arms reaching out for nothing as he begins to fall off the side of the log. 12-15s: [Impact focused shot with water dynamics] The contestant falls backward off the spinning log into the pond with a huge explosive splash, water shooting up around his body. He submerges briefly, then resurfaces gasping and flailing, completely soaked, as the logs continue their relentless spinning in the background. His expression is one of shocked defeat mixed with the show's signature comedic failure. High fidelity recreation of 1980s analog broadcast video, visible natural grain and broadcast noise, realistic motion characteristics of old ENG cameras, coherent but slightly imperfect physics and movement as seen in original Takeshi's Castle episodes, era-accurate color response and limited dynamic range, stable character with the natural imperfections of analog footage, no modern digital sharpness or artifacts.

PART 1 – THE REALITY (15s) 15s • 16:9 • Ultra-photorealistic • Broadcast football cinematography • World Cup stadium at night Shot 1 (0–3s) – The Pressure Extreme close-up of WOLTEMADE's face under intense pressure. Stadium lights reflect in his eyes as the crowd falls silent. Shot 2 (3–7s) – The Penalty Wide broadcast angle. WOLTEMADE takes his run-up and strikes the ball. The goalkeeper dives as the shot bends toward the corner. Shot 3 (7–11s) – The Miss The ball smashes against the post instead of going in. The stadium freezes. The goalkeeper looks back in relief. Shot 4 (11–15s) – Heartbreak WOLTEMADE stands frozen in disbelief. Teammates collapse, fans react with shock and tears. End on a tight close-up of his face as a subtle broadcast glitch flickers across the screen. PART 2 – THE ALTERNATIVE REALITY (15s) 15s • 16:9 • Ultra-photorealistic • Broadcast football cinematography • Same stadium, same player, same framing Shot 1 (15–18s) – The Glitch The broadcast glitches and resets. The same close-up returns, but WOLTEMADE looks calmer. Reality has changed. Shot 2 (18–22s) – The Perfect Strike Same run-up, same camera angle. He connects perfectly, sending the ball low toward the bottom-left corner. Shot 3 (22–27s) – The Goal The ball slams into the net. Realistic net physics. The goalkeeper misses by inches as the stadium erupts and fans explode with celebration. Shot 4 (27–30s) – The Chosen Reality WOLTEMADE celebrates, then suddenly stops and looks directly into the camera. Hard cut to black with the text: "The ball went in." "Somewhere, it always did." Silence.

A young Korean woman (22), naturally beautiful with realistic skin texture, minimal makeup, soft black shoulder-length hair loosely tied back with face-framing strands. She wears an oversized cream knit sweater over a white tank top, loose olive cargo pants, worn black Converse sneakers, and a simple silver necklace. Maintain identical identity, clothing, hairstyle, facial features, body proportions, and appearance throughout the video. --- Story Concept A quiet Sunday morning where she leaves home with an old film camera to photograph ordinary things most people ignore. The video feels like someone casually following their friend without planning anything. Nothing is performed. Nothing dramatic happens. Every moment feels accidentally beautiful. --- Location A peaceful Korean hillside residential neighborhood with narrow stairways, ivy-covered brick walls, tiny gardens, old mailboxes, bicycles, rooftop terraces, flowering plants spilling over fences, utility poles, overhead electrical wires, old apartment buildings, and soft summer sunlight filtering through large trees. No cafés. No stores. No advertisements. No crowds. No modern architecture. --- Visual Style Hyper-realistic documentary. Feels like authentic Korean family footage recorded in 2002. Completely unscripted. Slow everyday rhythm. Tiny imperfections make everything believable. --- Camera Sony MiniDV camcorder. Heavy handheld shake. Frequent accidental reframing. Late reactions. Autofocus breathing. Rolling shutter. Exposure pumping. Motion blur during movement. Occasional zoom mistakes. Slight tape compression. CCD sensor noise. Faded colors. Soft contrast. No cinematic shots. No stabilization. --- Timeline 00:00–00:03 She steps outside carrying a small vintage film camera around her neck. She pauses to photograph sunlight shining through leaves. The camcorder operator almost misses the shot while adjusting focus. 00:03–00:06 Walking down a narrow staircase, she notices colorful flowers growing through a cracked wall. She kneels to photograph them, smiling quietly to herself. 00:06–00:09 She finds an old orange neighborhood cat sleeping beside parked bicycles. She slowly reaches out to pet it. The cat lazily stretches while autofocus repeatedly shifts between them. 00:09–00:12 She sits on worn concrete steps eating a strawberry ice cream. A drop melts onto her hand and she laughs naturally before wiping it away with her sleeve. 00:12–00:15 She walks uphill toward home. Halfway she notices the camcorder, smiles with slight embarrassment, gives a tiny wave, then continues walking. Recording suddenly stops mid-step as if the tape ended. --- Audio Only authentic neighborhood sounds. Birds singing. Wind through trees. Footsteps. Distant scooters. Children playing far away. Leaves rustling. Film camera shutter clicks. Cat purring. Electric wires humming. No music. No narration. No sound effects. --- Goal Create footage that feels genuinely discovered inside an old family camcorder from South Korea in 2002—warm, imperfect, nostalgic, deeply human, and so realistic that viewers question whether it is AI-generated or a real forgotten memory.

0–3 sec A sleek UFO races through colorful nebulae. Inside, an alien photographer checks a holographic mission: "Find the Last Flower." 3–6 sec The alien explores breathtaking planets with crystal forests, floating mountains, and glowing oceans, snapping photos but finding nothing. 6–10 sec On a mysterious mist-covered world, the alien discovers a single radiant flower hidden among ancient ruins. Golden light pulses from its petals. 10–13 sec The alien takes a photo. A brilliant flash erupts from the camera and races across space. 13–15 sec Flowers instantly bloom across countless planets. The alien smiles as the galaxy transforms into a sea of color, holding the legendary photo in its hands.

15 seconds, 16:9 cinematic, single continuous aerial drone shot, smooth uninterrupted flight path, no cuts. Global setup: Epic cinematic drone footage, ultra smooth gimbal stabilization, wide angle aerial lens with subtle motion blur on fast movements. Golden late afternoon light, long soft shadows. Setting: a dramatic coastline where cliffs meet turquoise ocean, a winding coastal road, small whitewashed village clinging to the hillside, scattered sailboats on the water. Ambient sound: wind rush, distant waves, soft orchestral/ambient score building gradually. [0:00–0:03] Drone starts low and close, skimming just above rolling ocean waves, spray faintly visible below, camera angled slightly downward. Speed picks up as it glides forward. [0:03–0:06] Drone rises smoothly and banks left, revealing towering cliffs ahead bathed in golden light, a narrow coastal road cut into the rock face with a single car driving along it. Altitude continues climbing. [0:06–0:09] Drone crests over the cliff edge, revealing the whitewashed village spilling down the hillside, terracotta rooftops catching the light, narrow streets, a small plaza with a fountain. Camera pulls back and up. [0:09–0:12] Drone continues rising and rotating slowly, full coastline now visible village, cliffs, road, and open ocean dotted with sailboats, long shadows stretching across the land. Sweeping wide reveal. [0:12–0:15] Drone ascends further into a final wide aerial shot, sun beginning to touch the horizon, entire landscape glowing in warm gold and deep blue, camera slows to a graceful stop. Fade to black. Style: hyper-realistic cinematic color grade, rich golden hour tones, epic scale, no CGI artifacts, natural atmospheric haze in distance. Constraints: smooth continuous drone motion with no jitter, consistent lighting and shadow direction throughout, physically plausible flight path, no text overlays, no sudden altitude jumps.

Duration: 15 seconds Aspect Ratio: 16:9 Frame Rate: 24 fps 85mm prime lens with extremely subtle handheld breathing motion. Japanese airy film aesthetic blended with authentic Indonesian university life. Kodak Portra 400 cinematic color science, fine film grain, soft bloom, gentle gray haze, documentary-style realism. Primary color palette: Warm cream campus buildings, soft green trees, TransJakarta blue, MRT white and blue, cozy coffee shop browns, rainy gray skies, orange sunset, natural skin tones. Soft natural lighting transitions from fresh morning, rainy afternoon, golden sunset and peaceful city night. Foreground consists of softly blurred leaves, books, coffee cups, raindrops on glass, tote bags and passing students. Midground features a modern Indonesian university campus, library, campus café, rooftop, MRT station and TransJakarta stop. Background reveals Jakarta skyline, university buildings, trees, city traffic and warm evening lights. Everything feels calm, productive, cozy and unmistakably Indonesian. Main Character Exceptionally beautiful Indonesian university student. 20 years old. Long slightly wavy black hair. Natural makeup. Warm tan skin. Oversized beige cardigan. White inner shirt. Light blue wide-leg jeans. White sneakers. Cream canvas tote bag. Silver laptop. -------------------------------------------------- SHOT 1 (0–2s) Early morning. The young woman waits at a TransJakarta bus stop. A TransJakarta bus arrives. She taps her card and boards the bus with a gentle smile. Morning sunlight shines through the windows. The camera follows naturally beside her. -------------------------------------------------- SHOT 2 (2–4s) Inside a quiet university library. She opens her laptop beside several textbooks. She writes notes while reading. Other students quietly study in the background. Soft morning light enters through large windows. The atmosphere feels peaceful and productive. -------------------------------------------------- SHOT 3 (4–6s) Campus coffee shop. A hot latte sits beside her laptop. She types her assignment while occasionally sipping coffee. Steam rises naturally from the cup. She smiles slightly after finishing a paragraph. The handheld camera gently circles around her. -------------------------------------------------- SHOT 4 (6–8s) Rain begins outside the campus. She walks beneath a transparent umbrella. Raindrops hit the pavement. Students run toward nearby buildings. She enjoys the rain while quietly smiling. The camera slowly tracks beside her. -------------------------------------------------- SHOT 5 (8–10s) Lunch break. She sits at a small bakso stall near campus. A steaming bowl of bakso is placed in front of her. She gently blows on the spoon before taking the first bite. Her face immediately lights up with a satisfied smile. The stall owner continues serving customers in the background. -------------------------------------------------- SHOT 6 (10–12s) Late afternoon. She stands on the rooftop of the university building. The Jakarta skyline glows beneath a beautiful orange sunset. A gentle breeze moves her hair. She quietly enjoys the peaceful moment while holding a cup of coffee. -------------------------------------------------- SHOT 7 (12–14s) Several close friends join her. They laugh naturally. One friend raises a smartphone. Everyone gathers together for a selfie. The camera captures genuine laughter and candid expressions. -------------------------------------------------- SHOT 8 (14–15s) Night. She rides the MRT home. Sitting beside the window, wearing wireless earbuds. Jakarta city lights pass outside. She looks out the window with a peaceful smile. The train continues moving through the city. Natural fade to black.

Main subject: young Japanese woman, early 20s, natural everyday appearance, faded sage-green sleeveless crop top, loose relaxed-fit cropped trousers, white canvas sneakers, thin gold chain necklace, black straight hair in a low messy bun with face-framing strands. Realistic skin texture, minimal makeup, soft and gentle personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video. Location: Authentic Japanese residential neighborhood during a calm late morning. Narrow paved streets, low-rise wooden and stucco homes, small entryways with potted plants, bicycles leaning against walls, vending machine absent, utility poles, tangled overhead wires, mature trees casting moving shadows, quiet suburban atmosphere. No stores, advertisements, cafés, crowds, or commercial activity. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion. Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading. **00:00–00:02** Outside a small house entrance. She sits on a low wooden step tying her sneaker laces. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus. **00:02–00:04** The camera follows her into a narrow street lined with potted plants and low walls. She notices a stray cat approaching and crouches down. Framing drifts off-center as the operator tries to keep up. **00:04–00:06** She gently pets and feeds the cat. Autofocus repeatedly shifts between her face and the animal. Morning sunlight flickers through leaves overhead. **00:06–00:08** Small front yard beside her house. She hangs laundry on a balcony rack while fabrics sway in the breeze. Exposure changes as clouds briefly pass overhead. **00:08–00:10** On a quiet engawa (wooden porch) with a ceramic tea cup. She sits comfortably watching the neighborhood, occasionally brushing hair behind her ear. Loose handheld side angle with natural camera drift. **00:10–00:12** Close side profile. Someone off-camera greets her. She turns, raises her hand, smiles warmly, and casually says, "Ohayou." The camera catches the moment slightly late. **00:12–00:15** Walking slowly down a tree-lined residential lane holding her tea cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. Recording cuts abruptly to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only — morning birds, distant scooters, light wind, leaves rustling, faint neighborhood chatter, cat sounds, footsteps on pavement, fabric moving on a balcony rack, subtle residential ambience. No music. No sound design. No narration. Goal: Authentic Japanese neighborhood life captured like a forgotten home video from the early 2000s — candid, imperfect, realistic, warm, and deeply believable.

Generate a video: A young female Oval heart-shaped face, clean bright fair porcelain skin with natural pores and subtle micro imperfections (no over-smoothing), soft almond eyes, refined nose, polished natural makeup with soft highlights, face must remain clearly visible, sharp, and consistently recognizable across all shots (FACE LOCK, no distortion, no blur on face during motion), expression calm, confident, slightly observant urban vibe. Hair natural loose, slight movement from wind, never covering the face. OUTFIT: Streetwear casual — oversized hoodie / tee, relaxed pants, **Nike Air Jordan sneakers**, subtle accessories, realistic fabric movement. ENVIRONMENT: New York City streets — skyscrapers, crosswalks, traffic, crowds, subway entrances, storefront reflections **Time progression: morning → afternoon → golden hour → night (hyperlapse feel)** STYLE CORE: Cinematic urban walking sequence Macro cut + motion camera + hyperlapse transitions Focus: **movement + environment + face tracking** CAMERA SYSTEM (MULTI MOTION + FACE TRACK): - Front tracking cam (primary face lock) - Side tracking cam (walking profile) - Wide cinematic cam (city scale) - Macro cut cam (feet, hands, environment detail) - Overhead drone (brief city reveal) - Push-in / pull-out cam - Whip pan transitions between angles **Face always re-acquired after every cut** AUDIO: Ambient city sound + light cinematic beat Footsteps, traffic, distant voices, wind TIMELINE (10s CINEMATIC WALK + HYPERLAPSE): 0.0–1.5s (MORNING START) Wide NYC street → subject walking into frame → front tracking cam → soft morning light → face calm, natural 1.5–3.0s **Macro cut sequence**: → close-up sneakers stepping (Nike Jordan detail) → hand brushing jacket → quick whip to face close-up → side tracking resumes 3.0–4.5s (MIDDAY SHIFT) Crowd increases → faster movement → side cam + wide cam alternating → subtle hyperlapse effect in background (people blur) → face still sharp 4.5–6.0s Crosswalk moment → overhead + push-in combo → macro: traffic light change → cut to face → sunlight stronger (afternoon) 6.0–7.5s (GOLDEN HOUR) Warm light hits face → orbit side-front cam → reflections on glass buildings → calm confident expression 7.5–9.0s (TRANSITION TO NIGHT) Hyperlapse shift → lights turn on, sky darkens → whip pan transitions → macro: neon sign → cut to face → faster walking energy 9.0–10.0s (NIGHT FINAL) City fully lit → neon + headlights → front tracking close-up → slight slow-down step → **FULL FACE LOCK CLOSE-UP**, confident urban expression PHYSICS & EFFECTS: Hyperlapse background motion, realistic footstep impact, cloth movement, light reflections, motion blur on environment only (NOT face) LOOK & COLOR: Ultra cinematic, NYC tone, high contrast, morning soft light → golden hour warm → neon night glow, shallow depth of field, film-grade color grading.

Create a 15-second cinematic bridal video designed to showcase stunning 4K beauty, elegant motion, and luxurious detail. The bride is young, graceful, and exceptionally beautiful, with a clear, luminous, translucent presence. She has soft radiant skin, delicate natural makeup, bright clear eyes, and an elegant gentle smile. Her overall feeling is fresh, pure, refined, romantic, and dreamlike. The video is a collection of beautiful fleeting moments, each shot feeling delicate, emotional, and visually rich. 0–3s Open with a luminous close-up of the bride’s face in soft natural light. Show her youthful beauty and translucent glow in crisp 4K detail: smooth radiant skin, soft eyelashes, glossy lips, and bright expressive eyes. A gentle breeze moves a few strands of hair and the edge of her veil. 3–6s Cut to graceful detail shots: her slender fingers touching the lace of her dress, the sparkle of a ring, delicate embroidery, pearls, and the airy soft texture of the veil. The details feel pure, elegant, and luxurious, with beautiful light gently reflecting across the fabric. 6–9s Show the bride walking slowly through a bright, dreamy setting while holding a beautiful bouquet. Her veil flows lightly behind her, and the dress moves softly with each step. Emphasize her youthful elegance, soft posture, and the romantic shimmer of the gown. 9–12s Cut to an emotional medium shot as she turns slightly toward the camera. Her smile is soft, innocent, and radiant. The light wraps around her beautifully, enhancing her clear and delicate presence. The veil and dress move gracefully, creating a timeless romantic feeling. 12–15s End with the most breathtaking moment: a beautiful full shot of the bride surrounded by luminous light, bouquet in hand, veil floating elegantly. She pauses in a poised, unforgettable pose, looking like the final frame of a luxury wedding film. Her beauty feels youthful, pure, transparent, and deeply enchanting. Style and visual direction Ultra-beautiful bridal cinematography, youthful elegance, translucent beauty, emotionally rich, soft, romantic, luxurious, delicate, refined, visually poetic, high-detail 4K imagery, natural light, dreamy glow, premium wedding film feeling, graceful camera movement, strong shot variety, consistent bride appearance, every moment polished and beautiful.

Main Subject: Young African woman, early 20s, native to the region. Warm brown skin with realistic skin texture, minimal to no makeup. She has dark hair tied in a simple low ponytail with a few loose strands. She wears a faded sleeveless light-colored blouse, a simple long wrap skirt with a faded colorful pattern, and worn sandals. Small beaded bracelet on one wrist. Warm, approachable, and grounded personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video. Location: Authentic rural African village during a calm late morning. Dirt paths, simple mud-brick and concrete block houses with corrugated metal or thatched roofs, scattered trees and vegetation, chickens roaming freely, low stick fences, laundry hanging on lines, plastic basins, simple wooden benches, and water containers. Quiet village atmosphere with natural daily life. No modern buildings or urban elements. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion. Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading. TIMED SCENES (00:00–00:15) 00:00–00:02Outside a small village house. She sits on a low wooden bench adjusting her ponytail with both hands. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus. 00:02–00:04The camera follows her as she walks along a dirt path through the village. She notices a chicken running freely nearby and slows down to watch it. Framing drifts slightly as the operator tries to keep up. 00:04–00:06She crouches and tries to catch the chicken, moving carefully with her hands outstretched. The chicken flutters and runs a short distance. Autofocus repeatedly shifts between her face and the chicken. Morning sunlight filters through tree leaves overhead. 00:06–00:08In the small dirt yard beside her house. She picks up a simple broom made of sticks and begins sweeping the ground in steady motions. Dust rises lightly as she sweeps. Exposure changes slightly as clouds pass overhead. 00:08–00:10She sits on a low wooden bench near the house, resting after sweeping. She wipes sweat from her forehead with the back of her hand and looks around the quiet village. Loose handheld side angle with natural camera drift. 00:10–00:12Close side profile. Someone off-camera greets her warmly. She turns toward the voice, raises her hand, smiles genuinely, and replies with a short local greeting. The camera catches the moment slightly late due to handheld movement. 00:12–00:15She walks slowly down a tree-lined dirt path carrying a small plastic basin in one hand. She notices the camera, gives a small genuine smile, then looks forward again and continues walking naturally. Recording cuts abruptly to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only — morning birds, distant voices and village activity, light wind through trees, leaves rustling, chicken sounds, footsteps on dirt, fabric moving, subtle village ambience. No music. No sound design. No narration. Goal: Authentic rural African village life captured like a forgotten home video from the early 2000s — candid, imperfect, realistic, warm, and deeply believable. Everyday moments of a young woman doing ordinary tasks in her village.

REFERENCES Image 1 — Storyboard Action Reference Beat 01–04 Use only for choreography blocking, pose rhythm, screen direction, start/end action logic, impact spacing and camera intention. Do not copy the storyboard page layout, labels, text, arrows, borders, numbers or mannequin appearance. Image 2 — Storyboard Action Reference Beat 05–08 Use only for choreography blocking, pose rhythm, screen direction, start/end action logic, impact spacing and camera intention. Do not copy the storyboard page layout, labels, text, arrows, borders, numbers or mannequin appearance. Image 3 — Storyboard Action Reference Beat 09–12 Use only for choreography blocking, pose rhythm, screen direction, start/end action logic, impact spacing and camera intention. Do not copy the storyboard page layout, labels, text, arrows, borders, numbers or mannequin appearance. Image 4 — Storyboard Action Reference Beat 13–14 Use only for choreography blocking, pose rhythm, screen direction, final impact staging, shock-finish timing and cut-to-black logic. Do not copy the storyboard page layout, labels, text, arrows, borders, numbers or mannequin appearance. Image 5 — Batdog character sheet This is the strict Batdog character lock. Batdog is represented by the RED MANNEQUIN in the storyboard references, but the final character must use the full Batdog design from Image 5, not a red mannequin. Preserve Batdog’s dark heroic silhouette, long bat-like ears, sharp stern face, athletic martial-arts build, cape, armor, belt, boots, bracers and disciplined fighting posture. Do not redesign him. Do not simplify him into a mannequin. Image 6 — Cairo character sheet This is the strict Cairo character lock. Cairo is represented by the BLUE MANNEQUIN in the storyboard references, but the final character must use the full Cairo design from Image 6, not a blue mannequin. Preserve Cairo’s crocodilian anatomy, broad chest, muscular limbs, thick single tail, clawed hands and feet, black leather jacket, gold trim, chains, bracelets, belt, trousers with gold side stripes, confident aggressive expression and heavy physical presence. Do not redesign him. Do not simplify him into a mannequin. Image 7 — Cathedral reference 1 Use only as a secondary environment mood and architecture reference. Do not directly reproduce this image, its exact composition, camera angle or layout. Borrow only the feeling of a ruined Gothic cathedral: broken arches, tall windows, shattered stone, pale storm light, dust, debris and scale. Image 8 — Cathedral reference 2 Use only as a secondary environment mood and destruction reference. Do not directly reproduce this image, its exact composition, camera angle or layout. Borrow only the feeling of collapse, rubble, broken pillars, storm-lit haze, dust clouds and damaged sacred architecture. IMPORTANT REFERENCE CONTROL The storyboard references are not the final visual style. They are action maps only. Ignore all storyboard text, labels, frame numbers, captions, arrows, borders and panel structure. Ignore any old character names visible in the storyboard images. Final characters must be Batdog and Cairo only. Final output must be a finished cinematic animation scene, not a storyboard, not a comic page, not a reference sheet, not a contact sheet and not a panel layout. SCENE / STYLE 15-second 2D hand-drawn cinematic animation. Batdog and Cairo fight an intense lethal martial arts duel inside a ruined Gothic cathedral. No weapons, no blood, no extra characters. The camera enters with the fight already in progress — do not open with a standoff. The sequence is a high-speed sakuga fighting chain: traps, counters, pressure, rebounds, shifts, punishment, pursuit, wall crash, climax exchange and contact cut to black. Batdog stays in control the entire time and is always one beat ahead. Cairo is powerful and dangerous but is gradually forced onto the defensive by Batdog’s timing, angles and precision. Stay grounded the whole time. No aerial combat, no long jumps, no floating bodies and no suspended fighting. Any evasive movement must stay compact, low and floor-connected. Small grounded hop-steps are allowed only to dodge or reset distance, and the character must return weight to the floor immediately. Do not turn Frame 10 into airborne combat. Every action must be clear, with wind-up, contact, reaction and follow-through. Nothing chaotic or blurry. Visual style: 90s animation film quality mixed with high-energy Japanese sakuga. Clean sharp ink lines, strong silhouettes, refined cel shading, hand-drawn texture, wet stone reflections, cinematic lighting and controlled action effects. The final must feel like a polished animated film scene, not generated concept art, not 3D, not photorealism and not a storyboard animatic. The environment has layered Gothic depth: towering broken arches, shattered pillars, cracked walls, broken windows, thorny vines, shallow water, reflections, firelight and storm openings. Background atmosphere is welcome but must never steal focus from the fight. Water reflections should emphasize footsteps, slides, stomps, blocks, impact direction and sudden changes of force. LIGHTING / EFFECTS Core lighting is Gothic golden storm light mixed with pale cathedral window light and low firelight under broken arches. Wet stone ground reflects footsteps, capes, tails, silhouettes and impact flashes. Major impacts can have brief golden flashes, bracer sparks, flying rubble, water mist, dust rings, shock ripples and ground cracks, but never obscure Batdog or Cairo’s outlines. Effects must support the choreography and never replace it. Impact waves are physical pressure only, not magical beams, not energy attacks and not supernatural blasts. Every key contact needs a short hit-stop and strong key pose before releasing into the next movement. The viewer should feel the rhythm: preparation, contact, hit-stop, reaction, follow-through, re-entry. CHARACTERS Batdog: A disciplined, highly skilled fighter. He is composed under pressure, economical with movement, and precise in his counters. His fighting style is efficient, tactical, balanced and intelligent. He stays calm even during high-pressure exchanges. His cape enhances silhouette and motion but must never hide his body mechanics. Cairo: A larger, more forceful, aggressive fighter. He relies on brute strength, heavy forward pressure, clawed strikes, body weight, stomping steps, shoulder pressure and relentless offence. He should feel powerful, explosive and dangerous at all times. His single tail acts as a counterweight during turns, pressure shifts and heavy attacks. STYLE CONTRAST Cairo = power, mass, pressure, weight, aggression. Batdog = control, timing, precision, counters, discipline. Cairo should never look weak. Batdog wins the rhythm because he reads Cairo early, cuts angles, redirects force and breaks pressure before it fully develops. CAMERA The camera should feel cinematic, dynamic and tightly involved in the action. Use low tracking shots, close aggressive side angles, tight arcs, chest-level proximity and occasional dramatic push-ins. The camera must enhance clarity and impact, not confuse the choreography. Use: - low skimming movement across the wet floor - close side tracking during exchanges - tight circular movement during the clinch - reactive push-ins for impacts - brief widening after heavy impacts so the body positions stay readable - dynamic angle changes that remain coherent - foreground rubble passing by for speed - cape cuts and water splashes as transitions - a dramatic low-angle emphasis at the final peak hit Avoid random camera changes, visual confusion, excessive shake, unreadable smears or jarring cuts. The action should feel like one coherent cinematic sequence. Direction must stay clear: the viewer must always know who is attacking, who is defending and where the pressure is going. ACTION SEQUENCE / TIMING 0:00–0:00.6 — Beat 1 / floor-skim entry / already mid-fight The camera is already moving fast, skimming low across the wet cathedral floor through shallow water and broken reflections. We enter the scene in the middle of combat: Cairo is stepping in aggressively from the right with a heavy clawed straight and shoulder pressure, while Batdog is already inside his range on the left, slipping just off the centerline. Batdog parries the attacking arm outward and drives a short body shot into Cairo’s ribs without breaking motion. No setup pause — the fight is already alive from frame one. 0:00.6–0:01.2 — Beat 2 / jam and angle change Cairo tries to continue the forward assault with another driving strike, but Batdog jams the motion before it fully develops. Batdog redirects the attacking limb across the centerline and pivots to a slight outside angle, forcing Cairo to turn and re-square. Their footwork splashes through the water as the camera arcs with them, maintaining close aggressive momentum and keeping the exchange compact and readable. 0:01.2–0:01.9 — Beat 3 / chest strike interception / force checked Cairo commits to a heavier chest-level strike, trying to blast through Batdog’s guard with brute strength. Batdog catches and blocks the line of force at the last moment, absorbing the impact through his frame instead of giving ground too early. The collision feels heavy and grounded, with a burst of spray from the wet floor. The camera stays close enough to feel the impact, emphasizing physical force over spectacle. 0:01.9–0:02.6 — Beat 4 / brief advantage / Batdog answers cleanly Using the opening from the blocked strike, Batdog snaps back with a tight, efficient counter combination at close range. He stays disciplined and economical, scoring clean compact hits while staying just outside Cairo’s most dangerous line. Cairo resists and presses through the punishment rather than retreating. The camera continues tracking with the exchange, low and fast, preserving the sense of relentless forward motion. 0:02.6–0:03.8 — Frame 5 / pressure reset / Cairo regains force Cairo absorbs the blocked chest strike and immediately shoves forward with brute force, trying to break Batdog’s rhythm. Batdog slides back across the wet floor without losing balance, cape snapping behind him. Cairo follows with a heavy clawed hook, but Batdog ducks under it at the last instant. The camera tracks low beside them, keeping the momentum tight and aggressive. 0:03.8–0:05.0 — Frame 6 / close-range clinch / strength contest Cairo crashes into Batdog’s guard and locks him into a brief standing clinch. Their shoulders grind together, forearms straining, feet skidding through shallow water. Cairo tries to overpower him with raw size, but Batdog shifts his hips and redirects the force instead of resisting it directly. The camera circles tightly around their locked silhouettes, emphasizing the struggle. 0:05.0–0:06.3 — Frame 7 / sweep reversal / Batdog changes levels Batdog suddenly drops his weight and hooks Cairo’s lead leg with a sharp inside sweep. Cairo stumbles sideways, one claw scraping the floor for balance, but he does not fully fall. Batdog uses the opening to pivot around his blind side, staying close and controlled. The camera dips with Batdog’s level change, then rises with the reversal. 0:06.3–0:07.7 — Frame 8 / wall pressure / Cairo turns dangerous Cairo recovers fast and slams a shoulder into Batdog, driving him toward the fractured cathedral wall. Stone dust shakes loose as Batdog barely braces before impact. Cairo throws a short, savage elbow toward Batdog’s head, but Batdog rolls with it, letting the blow smash into the wall instead. The camera pushes in hard as the wall cracks from the missed strike. 0:07.7–0:09.0 — Frame 9 / body-shot chain / Batdog breaks the guard Using the missed elbow as an opening, Batdog fires a compact three-hit body-shot chain into Cairo’s ribs and solar plexus. Each strike is short, efficient, and heavy, with no wasted movement. Cairo’s guard drops for half a second under the pressure. The camera stays chest-level and close, making the hits feel sharp and readable without excessive blur. 0:09.0–0:10.4 — Frame 10 / grounded escape / Cairo creates distance Cairo snarls and bursts backward with a sudden explosive grounded evasive hop-step, escaping the close-range exchange without floating or staying airborne. He plants his weight back into the wet floor immediately, twists off the centerline, and lashes out with a heavy clawed kick aimed at Batdog’s head. Batdog slides under the kick, the missed strike carving down into the wet stone behind him and throwing up water and broken debris. The camera drops low beneath the kick path, then catches Batdog sliding clear while Cairo lands heavy and grounded. 0:10.4–0:11.8 — Frame 11 / re-entry clash / both fighters commit Batdog rebounds from the slide and launches forward at the exact moment Cairo lands. Both fighters charge into the centerline: Cairo with a wide, brutal overhand strike, Batdog with a tight rising counter. Their attacks collide at close range, forearm against forearm, sending a shock of water outward across the floor. The camera snaps into a dramatic side angle to show the impact clearly. 0:11.8–0:13.0 — Frame 12 / Batdog’s clean read / decisive counter Cairo tries to chain into another heavy attack, but Batdog reads it instantly. He slips outside the strike, traps Cairo’s wrist, and drives a clean knee into Cairo’s midsection. Cairo folds slightly from the impact, losing his forward pressure for the first time. The camera pushes in tighter, emphasizing Batdog’s calm precision against Cairo’s raw aggression. 0:13.0–0:14.2 — Frame 13 / final exchange / peak domination Cairo throws one last furious forward barrage, forcing the fight into its biggest visual peak. Batdog stays composed, weaving through the attacks with sharp head movement and tight footwork. As Cairo overcommits, Batdog counters with a powerful kick that blasts into Cairo’s midsection, stopping the rush dead. The camera hits a dramatic low-angle freeze-like moment at the instant of impact. 0:14.2–0:15.0 — Frame 14 / shock finish / cut to black Cairo is driven backward through the spray and dust, skidding across the broken floor but still barely standing. Batdog lands in a grounded final stance, cape settling, eyes locked forward. For a split second the scene holds on the distance between them, showing Batdog has clearly won the rhythm of the fight. Then a sharp stylized anime impact flash fills the frame and cuts instantly to black. PERFORMANCE Cairo is confident and oppressive. His attacks use big arcs, stomping steps, shoulder pressure, claw blocks, tail counterbalance and full-body kinetic force. Every step creates cracks, water splashes or dust bursts. Even when pressured he remains dangerous and eager to counter. Batdog is focused, heroic, agile and efficient. He uses counters, blocks, low slides, pivots, timing traps and precise pressure instead of raw power. His cape enhances the silhouette but never hides body mechanics. Both styles must stay distinct. Batdog is always one beat ahead and dictates the rhythm. Every beat needs clear pose-to-pose structure: preparation → contact → hit-stop → release → re-entry. Never let it become random flailing. SEQUENCE PRIORITY 1. Character consistency 2. Action readability 3. Camera dynamism 4. Environmental atmosphere Never sacrifice clear body structure for flashy technique. Every single beat must clearly show who is pressuring whom, who is cutting angles and who is being driven toward the wall. Batdog systematically dismantles Cairo through blocks, feints, arm traps, hip turns, low kicks and short strikes. Cairo is not weak — every counter he throws is heavy — but Batdog always breaks it half a beat early. NEGATIVE / RULES Only one Batdog. Only one Cairo. No duplicate characters, crowds, background characters, weapons, swords, guns, blades, blood, killing or dismemberment. Cairo has exactly one tail — no second tail, forked tail or duplicate tails. No extra arms, legs, fingers, claws, heads or bodies. Batdog keeps correct ears, cape, armor, belt, boots, bracers and proportions. Cairo keeps correct crocodilian anatomy, jacket, gold trim, chains, trousers, claws and one tail. No deformation, melting, character swapping, clothing changes, redesigns, face drift or style drift. No realistic 3D CGI, live-action or plastic feel. No text, subtitles, logos, watermarks, comic panels, borders, storyboard pages, reference sheets or title cards. No heavy motion blur, unreadable smears, excessive camera shake, flickering or jarring cuts. No aerial combat, long jumps, floating bodies or suspended mid-air fighting. No multiple character afterimages, duplicate bodies or extra tail transformations. No magical beams, energy blasts, aura attacks or supernatural projectile effects. QUALITY BOOSTERS High-completion action animation with strong sakuga-level intensity. Expert martial arts choreography, clear body mechanics, stable character models, stable clothing details, stable anatomy, strong weight, clean rhythm, powerful impacts, clear screen direction, cinematic lighting and fluid camera movement. Every punch, block, kick, positioning trap and wall crash needs a brief keyframe pause and clear impact direction. The fight must feel relentless, intelligent and physically grounded. Batdog controls through timing, counters, angle changes, pressure and disciplined technique. FINAL REFERENCE CONTROL Images 1–4 are provided only as action blocking and choreography references. Do not reproduce their storyboard format, subtitles, titles, numbering, borders, white background or mannequin style. The final output must be a finished cinematic animation scene. Images 7–8 are provided only as secondary environment mood references. Do not reproduce their exact compositions, framing or layouts. Build a new ruined cathedral scene inspired by their atmosphere only.

A jungle army base at night, deep in thick wet rainforest. Tents, sandbags, floodlights, an open dirt yard, and a low concrete ammo bunker stacked with shells. A giant alien — brownish-black, slimy, with long whipping tentacles — has torn open the ammo bunker and is dragging a soldier across the ground toward the stacked shells. On the watchtower, a gunner loads a mounted gun. Sound: tearing concrete, wet tentacles slapping, shouting men, the alien's low roar, radio voices. Shot 1 (0–3s) — THE HOOK: Low shot across the floodlit yard. The giant alien rips the steel door off the ammo bunker with one set of tentacles while another wraps a soldier's legs, dragging him backward across the mud toward the open bunker full of shells. He claws at the ground. Men scatter between the tents. One shouts into his radio: "IT'S DRAGGING HIM TO THE SHELLS!" Shot 2 (3–6s): Up on the watchtower. The gunner swings his mounted gun toward the alien, but holds his fire — the soldier still in the tentacles, the bunker right there. He calls down on the radio: "Break loose! Run clear!" Shot 3 (6–9s): At the soldier. He pulls a knife and slashes the slimy tentacle around his legs, breaks free, and runs clear of the bunker across the open yard. The alien, now empty-handed, slides forward out of the bunker into the open middle of the yard, rearing up tall and clear in the floodlights, the stacked shells behind it. Shot 4 (9–13s) — BIG SLOW-MOTION MOMENT: The alien is out in the open now, the ammo bunker right behind it. The gunner fires. Bullet time — a stream of heavy rounds flies across the yard in slow motion, smoke and shell cases hanging in the air, smashing into the alien and ripping into the bunker behind it. The shells catch — a huge fireball blooming around the alien. Shot 5 (13–15s): Time snaps back. The whole bunker goes up in one massive rolling fireball, shells cooking off in bursts, fire and slime shooting into the night sky. Soldiers dive into the mud as the rescued man scrambles clear of the blast. Cut.

Use the uploaded image as the exact face reference. Keep the same facial features, hairstyle, beard, jawline, expression, skin tone, sunglasses on head, black shirt, white t-shirt, necklace and overall appearance throughout the video. He is the fearless lead hero. He walks through a burning abandoned city as explosions erupt behind him. Suddenly dozens of masked mercenaries surround him. He instantly launches into an ultra-fast hand-to-hand and sword combat sequence, dodging bullets, sliding under attacks, wall-running, spinning kicks, powerful punches, cinematic slow motion finishers, dramatic speed ramps, dynamic tracking shots, handheld action camera, flying debris, sparks, smoke, volumetric lighting, realistic physics, blockbuster Hollywood action film, hyper realistic, 8K, no text, no watermark, maintain identical face in every shot.

15 seconds, 16:9. Main subject from @ Image1 — lock her completely. Face, skin tone, body, hairstyle, and outfit must remain perfectly identical throughout the entire video. She wears a sleeveless green-and-white striped ribbed knit mock-neck top with a red-and-white striped collar, medium-wash loose straight-leg high-waisted blue jeans, and simple white low-top sneakers. No bag, no shoulder strap, no accessories except subtle natural makeup. Long straight dark brown hair with a center part, softly moving in the breeze. Korean woman with a modern, natural K-pop visual. The entire video takes place in an authentic hillside residential neighborhood in South Korea, similar to the old residential districts of Seoul, Busan, or Incheon. The streets are narrow and steep with frequent concrete stairways and sloping roads connecting different elevations. Small detached homes and low-rise villas are tightly packed together along the hillside. Exterior walls are painted white, beige, faded pastel, or exposed concrete, with stainless steel railings, rooftop water tanks, satellite dishes, air-conditioning units, security bars on windows, narrow alleys, retaining walls, utility poles, dense overhead power lines, small community mirrors at corners, and modest front gates. Flower pots, drying laundry, and neatly arranged plants sit outside many homes. The neighborhood feels distinctly Korean, quiet, lived-in, and residential, with layered houses climbing the hillside. No shops, advertisements, or commercial districts. Camera treatment is the whole point. This needs to look like a friend casually filming on a modern smartphone with no preparation. Natural handheld movement with subtle shake, spontaneous reframing, occasional focus breathing from continuous autofocus, realistic exposure adjustments, slight rolling shutter during faster movements, and imperfect framing where the subject occasionally drifts toward the edge of the frame. Crisp modern smartphone image quality with realistic HDR, accurate colors, natural contrast, and clean detail. No vintage look, no DV camcorder artifacts, no VHS texture, no retro grading, no film emulation. She starts sitting on a low concrete curb casually brushing her hair back with both hands, smiling naturally as the morning breeze moves her hair. The camera slowly steps closer while struggling briefly to keep focus. Then the camera follows her into a narrow residential alley where she crouches down and gently feeds a friendly stray cat that walks right up to her. After that she's in the front yard hanging freshly washed clothes on a clothesline while the breeze softly moves the laundry and her hair. Midway she's relaxing on the front terrace holding a coffee cup, quietly watching the neighborhood with a peaceful expression as the camera drifts casually from the side. Then a right-side close-up catches her slightly late as she raises one hand, waves warmly toward someone off-camera and says, "Annyeong." The final shot follows her walking slowly down the residential street with the coffee cup in one hand. She notices the camera, turns slightly, gives a quiet genuine smile, and the recording cuts abruptly to black mid-step as if the phone recording was stopped naturally. Audio is strictly natural. Morning birds, gentle wind, distant passing cars, faint neighborhood ambience, occasional bicycle sounds, cat meows, footsteps on concrete, clothing moving in the breeze, coffee cup handling, rustling leaves. No background music, no sound effects, no cinematic enhancement, nothing added. Strong modern South Korean residential identity. Authentic Korean hillside neighborhood. Avoid Japanese residential streets, Japanese suburban layouts, Japanese houses, Japanese road markings, Japanese utility poles, Japanese vending machines, Japanese convenience stores, torii gates, shrines, or any Japanese architectural style.

Hyper-realistic cinematic action sequence, 15 seconds Night. Inside a futuristic rooftop glass dome high above a neon city, two agents, one man and one woman, sprint through a luxury sky garden while a security team chases from behind and pursuit drones close in overhead. No hoods, no helmets, no masks. Dark fitted tactical clothing, visible hair, no celebrity resemblance. The glass dome is unstable. Alarms flash red. Rain pounds the curved glass. Metal support ribs shake. The floor is wet and reflective. The space is filled with plants, glass walkways, shallow pools, and narrow paths. Wide opening shot: the two agents burst through the rooftop garden at full speed. Security rushes in behind them while two drones sweep overhead. Red alarm light flickers across the dome. Fast tracking shot: the agents sprint along a narrow wet path between plants and reflecting pools. The drones dive lower and force them to change direction. Cracks spread across the glass dome overhead. Small shards begin falling around them. The agents duck, swerve, and keep moving while the security team gains behind. Side shot: the dome starts breaking in a chain reaction. Large glass panels begin dropping behind and around them. One drone clips a support beam and sparks burst. Water splashes from broken pools, shattered glass litters the path, and the agents are trapped between the collapsing dome, the closing security team, and the drones above. Final 5 seconds: make this part extreme. The normal exit doors are no longer a safe escape. Ahead, a side section of the dome wall and floor has broken open, revealing a narrow exterior maintenance ledge lower down outside the building. The agents accelerate into a final desperate sprint. One nearly slips on the shattered wet floor, the other catches them without stopping. They duck under a falling support beam, leap over a broken walkway section, reach the broken edge, and jump downward out of the dome to the lower ledge outside the skyscraper. They land hard on the narrow ledge and drop low for balance as glass crashes down behind them and drones sweep past above. Final moment: the two agents cling to the narrow exterior ledge outside the dome, high above the city, while the shattered glass dome collapses behind them. Style: hyper-realistic, cinematic, fast-paced, intense, stressful, urgent, clear readable action, strong sense of danger and height, collapsing glass dome, pursuit drones, red alarms, rain, wet reflections, falling debris, dynamic camera movement, no text, no logos, no cartoon style, no slow motion. Keep proportions. Keep style and features.

第一幕：从一个被玻璃杯子完全挡住镜头开始，延续前15秒画面质感：真实未经处理iPhone手持拍摄 + 21世纪初家用DV夜店Vlog质感，所有相机设置自动，无后期调色，无特效。画面保持浅紫色冷调霓虹偏色、低光颗粒噪点、老式镜头晕影、低对比度、霓虹拖影、轻微色散、真实动态模糊。仅使用画内自然音效：夜店音乐更强烈、低频鼓点震动、酒杯碰撞声、人群欢呼、笑声、鞋跟踩踏舞池地面的声音、麦克风偶尔被低音震到轻微爆音。镜头始终保持真实手持Vlog感，构图偶尔歪斜，自动对焦偶尔在女主脸部、酒杯反光、舞池灯光和人群之间来回搜索。 15–18秒：从玻璃杯子完全挡住镜头移出镜头开始，女主角 穿着 和同衣服颜色的过膝吊带带点丝袜，站在入舞池中央摇摆，霓虹紫、蓝、红灯光不断扫过她的脸和服饰。她一开始还保持清醒优雅，笑着跟着节奏轻轻扭动肩膀和腰线，动作自然不夸张，像周末夜店里真实放松的即兴舞步。她一只手拿着酒杯，另一只手轻轻拨开长发，汗水在额头和锁骨附近被灯光映出细小反光。镜头离她很近，偶尔被旁边跳舞的人撞到，画面轻微晃偏，随后自动对焦重新锁定她的笑脸。 18–21秒：音乐节奏变得更密集，人群开始围成松散的小圈。女主角状态从清醒逐渐进入迷离，她的笑容更放松，眼神带着朦胧的兴奋感。她把酒杯递给朋友，双手自由地随着节奏摆动，身体轻微后仰，肩膀、手臂和脚步形成流动感。镜头快速切到几个真实Vlog式角度：低角度拍到她鞋跟在舞池灯光上滑动；近景拍到她发丝被汗水轻轻贴在脸侧；侧面中景拍到她随着音乐转身，华丽夜店服饰在彩灯下闪烁。画面没有精致运镜，像朋友拿着手机在人群中兴奋地乱拍，保留真实失焦、拖影和低光噪点。 21–24秒：舞池氛围进入狂欢状态。女主角完全沉浸在音乐里，动作比之前更大胆、更有戏剧感，但仍然保持优雅和真实。她跟周围朋友一起扭摆、转身、抬手、踩点，偶尔对着镜头眨眼微笑，随后又被人群和灯光吞没。浅紫色DV偏色让画面像旧录像带里的迷幻夜生活。镜头穿过人群，出现短暂遮挡：有人举杯经过镜头前，霓虹光在酒杯里折射成模糊色块；有人大笑着从旁边掠过，麦克风录到一阵近距离欢呼。女主角在舞池中央完成一次自然的Siren Pose延续动作：身体轻微后仰，头部自然tilt，眼神自信柔和，随后顺势转回节奏中，没有摆拍感，像真实狂欢中的一瞬间被朋友偶然拍到。 24–26秒：突然，人群一侧传来夸张欢呼声。镜头被声音吸引，猛地歪斜转过去，自动对焦先对到晃动的霓虹灯牌，再拉回舞池入口。一个油腻的胖哥走进舞池。他体型圆润，表情自信又有点憨，额头微微出汗，手里拿着一杯饮料，先是站在边缘试探性地跟着音乐点头。周围朋友开始起哄，女主角也注意到他，忍不住笑出来。胖哥把饮料交给旁边朋友，故作潇洒地整理衣领，慢慢走向女主角。 26–28秒：两人开始一段带有复古好莱坞舞厅迷乱感的即兴对舞，灵感来自经典犯罪电影里的舞池氛围，但不复刻具体动作。胖哥先用夸张的小滑步进入节奏，身体左右扭摆，肩膀一高一低，表情非常认真又搞笑。女主角被逗笑，立刻配合他，用优雅轻盈的脚步绕半圈，手指随着节奏轻轻摆动。镜头快速切换真实Vlog式多角度：正面近景拍两人对视大笑；低角度拍胖哥笨拙但自信的滑步；侧面拍女主角自然转身和服饰闪光；背后拍周围人群围观起哄。画面越来越晃，像拍摄者也被音乐带动跟着跳。 28–30秒：对舞进入疯狂高潮。胖哥突然做出一个夸张的复古扭摆动作，差点踩错节奏，但立刻用一个滑稽转身化解尴尬。女主角笑到弯腰，随后顺势和他一起同步摆肩、滑步、转身，两人形成意外默契。周围人群爆发欢呼，有人举杯，有人拍手，夜店低频音乐震得麦克风轻微爆音。最后一秒，女主角和胖哥同时面对镜头做出一个搞笑又自信的收尾姿势：女主角笑着举手，胖哥喘着气却非常得意地比出胜利手势。镜头被人群撞了一下，强烈手持余震中画面歪向霓虹天花板，灯光拖成紫红蓝色光带，DV颗粒噪点和低光晕影达到最强，伴随欢呼声和笑声自然结束。 整体情绪：从优雅夜生活Vlog逐渐升级为迷离、暧昧、汗水、酒杯、霓虹、人群包围的狂欢现场，最后用胖哥登场形成强烈喜剧反转。女主角始终保持自信、优雅、妩媚但真实自然；胖哥的出现带来荒诞、搞笑和意外默契。画面必须像真实朋友在夜店里随手拍到的混乱Vlog，不要电影级精致布光，不要后期特效，不要过度稳定，不要完美构图。结尾必须保留强烈手持晃动、真实失焦、麦克风爆音、低光颗粒和疯狂夜店高潮感。 第二幕：Seedance专用提示词｜@1@2在@3舞厅复刻参考视频对舞 ① VIDEO REF： 严格以参考视频为动作、运镜、节奏模板，复刻其镜头路径、切换节奏、景别变化、双人站位、脚步、扭摆、手势、肩部律动、头部摆动、对视互动、单人特写、音乐节拍卡点。全片15秒，时间轴、动作幅度、人物距离、切镜点与参考视频1:1对齐。不得自由改编舞蹈，不得新增动作，不得改变动作顺序。动作必须丝滑连续，不卡顿、不跳帧、不漂移、不肢体错位。 ② CHARACTER REF： @1女主直接锁定参考图 穿着 ，保持参考图中的脸、发型、妆容、身材比例、服饰、配饰、鞋子完全一致。 @2男主直接锁定参考图 ，保持参考图中的脸、体型、发型、服装、姿态重量感完全一致。 禁止换脸、换装、改变体型、改变年龄感、改变服饰细节。@2禁止瘦身或变成帅哥健身身材，必须保留圆润偏胖体型和喜剧感。 ③ SCENE REF： 使用@3舞厅场景。现代夜店舞池中央，蓝、红、紫LED灯光交错闪烁，周围观众围成一圈举手机拍摄、举杯、鼓掌、欢呼、起哄。舞池中心留出C位空间，@1与@2面对面对舞。全片锁定@3舞厅，不换场景。保持真实夜店现场感：拥挤、热烈、灯光闪烁、手机屏幕反光、酒杯反光、轻微烟雾、低光噪点、人群随节奏晃动。 ═══角色替换规则═══ 参考视频女舞者→替换为@1，逐帧复刻其站位、脚步、抬手、甩发、头部摆动、手掌遮脸、身体扭摆、表情节奏。 参考视频男舞者→替换为@2，逐帧复刻其滑步、扭摆、肩膀律动、手指手势、脸前划手、头部前探、转身、节奏停顿。 背景观众→替换为@3舞厅围观人群，只负责拍摄、欢呼、鼓掌、起哄、跟节奏摇摆，不能抢主角焦点。 ═══时间轴═══ 0–4.8秒：宽景全身双人构图。@1与@2在舞池中央面对面站位，距离与参考视频一致。两人复刻开场复古对舞：轻微屈膝、脚步踩点、重心左右切换、腰胯自然扭摆、肩膀松弛律动。@1动作轻盈，裙摆、发饰、飘带跟随节奏摆动；@2动作带真实重量感，略显笨拙但精准卡点。观众在后方围观拍摄，随着节拍欢呼。 4.8–8.2秒：切入中景双人互动，切点与参考视频一致。@1抬手，手臂从侧面向上划过头顶和侧脸，手腕柔软，眼神自信妩媚；@2用复古手势回应，手肘抬起，手掌和手指随节拍摆动。两人短暂停顿、对视、再进下一拍，动作一前一后呼应，不能错位。镜头捕捉两人的表情反应：@1优雅带挑逗感，@2认真又搞笑，形成强烈反差喜剧效果。 8.2–11.5秒：切到@2中近景特写。严格复刻男舞者单人段：肩膀左右抖动，头部轻微前探和侧摆，身体小幅扭摆，一只手抬到脸前，用手指或手掌做节奏性划动，手腕翻转，眼神专注，表情自信又荒诞搞笑。下半身继续踩点，不能静止。背景中的@1和观众轻微虚化，保持夜店空间感。@2动作必须有体型惯性和重量感。 11.5–14.7秒：切到@1中近景特写。严格复刻女舞者单人段：头部快速摆动，长发与发饰甩动，一只手从脸前掠过形成短暂遮挡，肩膀与腰部继续随节奏扭摆。眼神迷离、自信、妩媚，带舞厅表演感。纱袖、裙摆、飘带随动作真实飘起。最后按参考视频节奏自然结束，不增加额外动作。 ═══画面与运动要求═══ 写实真人夜店质感，蓝紫红霓虹扫过皮肤和服饰。布料物理真实，发丝、饰品、裙摆、衣服褶皱随动作自然运动。观众、酒杯、手机屏幕、LED灯带、烟雾和低光噪点真实自然。动作由参考视频驱动，双人站位不漂移，脚步不滑地，手指手臂不畸形，镜头切换与音乐节拍完全同步。 NEGATIVE： 不要动漫风、塑料假脸、过度磨皮、五官漂移、换脸、换装。不要让@2变瘦或变帅，不要让@1换成普通夜店裙。不要换场景，不要新增舞蹈动作，不要慢放、快进、跳帧、穿模、字幕、水印、logo、文字。 FINAL： 4K，横屏16:9，15秒。@1替换女舞者，@2替换男舞者，@3替换舞厅场景。复刻参考视频经典复古对舞，动作逐帧对齐，音乐节拍同步，真实、流畅、热烈、性感、搞笑，有夜店围观起哄的狂欢氛围。