Variations
One approved ad becomes a batch: new hooks, new presenters, new lengths, new languages. Each version records what changed, so the results read themselves.
Take one idea across every channel.
Turn one approved idea into every placement's posters, imagery, and ads.
Every campaign, one system
Consistency
Reuse approved assets, direction, tone, and presenter references in every batch. The inputs carry the brand.
Capacity
Sunra takes the repeated planning, generation, and labelling. The team stays on the offer and the test.
Coverage
One offer becomes posters, a demo, a creator-style ad, and cutdowns, each composed for its placement rather than resized into it.
Reshoots
AI product photography: start from a product image you have and explore new settings, light, and viewpoints.
One offer, a complete campaign kit
Show the problem first
Opens on the frustration before the product appears, the right move when the buyer already knows what is wrong and is comparing fixes. The script agitates, the product enters as the answer, and the proof lands before the skip point. Written and produced from the offer and one product asset.
Show the product first
The same offer opened as a discovery: unboxing energy, first reaction, the product doing the thing. It is the version for categories bought on want rather than need. Because both treatments come from one source, running them head to head tests the opening, not two different ads.
Cut for the feed
Feed placement has its own rhythm: faster cuts, looser delivery, captions on by default. The same script is re-edited to that rhythm and delivered at vertical, square and pre-roll lengths, so one piece of work covers the media plan.
Matching stills
Paid social wants stills beside the video, and mismatched ones read as a different campaign. These are pulled from the video's world: same light, same palette, same product. Ask for another size and it comes back recomposed for that frame, not cropped down to it.
On-model shots from every angle
Front, side, back, detail and worn-in-context, from the garment and model references you supply. Fit, colour and trim are what buyers zoom in on, so each frame is reviewed for accuracy before it enters the set. One session covers the listing, the site and the ads.
Catalogue rollout
A range photographed over years never matches itself. Set the direction once and every product is re-shot into it, same light, same backdrop, same framing, whatever its original photography looked like. Product twenty-one costs the same effort as product one.
Frequently asked questions
How many variations should I make from one brief?
As many as the test can actually read. Keep the offer fixed, move one variable at a time, and label each version by what changed — a small controlled batch tells you more than a large unlabelled one.
How do I keep the versions on brand?
Reuse the same approved product assets, written direction, tone, and presenter references in every batch. Nothing inherits a brand style automatically, so the inputs and the review are what carry it.
Can I run this for clients?
Yes, and one project per client with that client's approved assets attached is the way to keep them separate. Read the terms for what your plan covers before work goes out under someone else's name.
What about other markets and languages?
Localised versions can carry voice, on-screen text, and lip-sync in the target language. Produce each market separately and have someone who reads the language check the translation, the timing, and the mouth movement.
Can I reshoot a product photo I already have?
Yes. Start from the existing image and explore new settings, lighting, compositions, and viewpoints. Keep the approved product reference attached and check packaging, proportions, colour, and label detail before publishing.
What does a campaign batch cost?
It depends on the models, the formats, and how many versions you run. Each generate button shows its credit cost before you commit, so a batch can be priced before it is produced.